News and Current Affairs :: essays research papers

Since the television was invented in 1924, news and current affairs programs have surly become one of our main media sources. With this in mind, reporters and stations alike atomic number 18 able to manipulate their audiences with a variety of techniques, to make them believe a representation of reality as opposed to the true fact. This is evident in the current affairs spirit level tv set Game Violence and the standard news twaddle Music Video Ban. These similar stories some(prenominal) originated from rut Nine and represent military unit in societys youth today, stating children are at risk if exposed to such material. Through a alternative of techniques, the audience is lured into supporting the told story and agreeing with the general attitudes promoted. Parents are the desired target audience of these stories which is evident through the mentioning of children and youth. Both news reports state that the media functional to children today has proven to be devastating on the way they portray everyday life events. Music Video Ban is about a diagrammatically violent music television set produced by Perth band Beaverloop, creating outrage in society. Video Game Violence is a story about the effect of both suitable and non-suitable video games on children, supported by interviews and a psychiatric case study. In Music Video Ban to heighten the seriousness of this situation, the aquilegia massacre is randomly mentioned and images of victims families are shown. This is to help the viewer in understanding the attitude given, and reveals the possibilities of what can happen when access to violent media is too broad. In the Video Game Violence story, images of a devastated family from an incident involving a copy-cat murder are displayed. The ideas were taken from an R-rated Australian film known as Bad Boy Bubby and were apply on Perth girl Natasha in her sleep by her 17 year old boyfriend. This is evidence enough that even the most unexpected can be influenced by meaningless diversion media. The stories are shown to be warnings for parents around Australia to keep careful watch over what their children are exposed to and through graphic examples, point that failure is not an option. The bear in on a report is very important for its ability to give first (and often last) impressions. This consists of the first few sentences (often containing connative terms) spoken to introduce the story, fully grown a general overview of what the report will be about.News and Current Affairs essays research papers Since the television was invented in 1924, news and current affairs programs have surly become one of our main media sources. With this in mind, reporters and stations alike are able to manipulate their audiences through a variety of techniques, to make them believe a representation of reality as opposed to the true fact. This is evident in the current affairs story Video Game Violence and the standard news story Music Video B an. These similar stories both originated from Channel Nine and represent violence in societys youth today, stating children are at risk if exposed to such material. Through a selection of techniques, the audience is lured into supporting the told story and agreeing with the general attitudes promoted. Parents are the desired target audience of these stories which is evident through the mentioning of children and youth. Both news reports state that the media available to children today has proven to be devastating on the way they portray everyday life events. Music Video Ban is about a graphically violent music video produced by Perth band Beaverloop, creating outrage in society. Video Game Violence is a story about the effect of both suitable and non-suitable video games on children, supported by interviews and a psychiatric case study. In Music Video Ban to heighten the seriousness of this situation, the Columbine massacre is randomly mentioned and images of victims families are s hown. This is to help the viewer in understanding the attitude given, and reveals the possibilities of what can happen when access to violent media is too broad. In the Video Game Violence story, images of a devastated family from an incident involving a copy-cat murder are displayed. The ideas were taken from an R-rated Australian film known as Bad Boy Bubby and were used on Perth girl Natasha in her sleep by her 17 year old boyfriend. This is evidence enough that even the most unexpected can be influenced by meaningless entertainment media. The stories are shown to be warnings for parents around Australia to keep careful watch over what their children are exposed to and through graphic examples, express that failure is not an option. The lead in on a report is very important for its ability to give first (and often last) impressions. This consists of the first few sentences (often containing connative terms) spoken to introduce the story, giving a general overview of what the repo rt will be about.

Narrative Techniques in Faulkner’s The Unvanquished and Barn Burning Es

Narrative Techniques in Faulkners The Unvanquished and Barn BurningThe Unvanquished is imperturbable of a series of stories during which Bayard Sartoris, the narrator, grows up from a twelve-year-old boy to a young universe of twenty-four years. The narrative style makes it obvious that events are being relate by an adult who is looking back at his past. There are several indications of this in the very first recital Ambuscade, the narrator, while describing his fight games with his coloured friend, Ringo, states We were just twelve then. (5) He tells the readers how they fantasized about the military exploits of bathroom Sartoris, Bayards return, seeing them as heroic and exciting adventures. The narrator describes himself and Ringo at this stage of the novel as the two supreme undefeated like two moths, two feathers riding above a hurricane (7), drawing attention to the detail that while the two boys are positioned in the midst of war with all its attendant destruction and insanity, they put up no understanding of its horror. When his father first appears on the scene, the Bayard says He was not big, it was just the things he did that made him seem big to us (9). Swept up in the romance of war, with the dust of battle clinging to him, John Sartoris seems to assume a larger than life persona but even as the narrator delineates his father before us, he attaches a caveat that in actuality, the Colonel was different from how he saw him as a young boy. This statement presages the mature understanding of his fathers character that Bayard develops as the novel progresses. In The Odor of Verbena, he has reached such clarity of vision that he can say without much difficulty that his father was a difficult man to get along with, he ac... ...an adult, his articulation of this southern code of morality is coherent and well thought out while Sartys reaction to his fathers incendiary behaviour is instinctive and not intellectualized. The image of the violent Sout hern man is evident in both stories, both boys have fathers who have participated in violence-Abner Snopes has a seething rage which finds satisfaction only through burning the property of people he hates and John Sartoris has been directly involved in the war, has a belligerent disposition and resorts to bloodshed frequently in the novel. But the difference lies in the ultimate response of the central character of each story to the southern ideals of masculinity - Bayard initially abides by but ultimately distances himself from Southern codes of honour while Sarty, being a child, is still far from finding himself at the end of Barn Burning.